Things My Hands Know
How Much Thread the Arm Knows
Mending a work shirt, and the length of thread you pull before the first stitch. Enough to finish. Short enough to stay out of the way.
A tool learns a hand. Wear is a record, and most of what a house owns has been keeping one.
Things My Hands Know
Mending a work shirt, and the length of thread you pull before the first stitch. Enough to finish. Short enough to stay out of the way.
Things My Hands Know
You know a fire is going to catch before the flame commits. It's in the draft, the crackle, the way the wood stops resisting.
Things My Hands Know
A jar closes tight without thinking. The knowledge lives in the wrist, not the head. Part of the Things My Hands Know series.
Things My Hands Know
A drawer in an unheated shed, a warmth that shouldn't be there, and a mouse that filed my receipts by what held heat.
Things My Hands Know
A stuck zipper, a fold of lining, and the small motion my fingers own that I can't put into words.
Things My Hands Know
A five-gallon pail, filled to an inch below the rim, and the way the body reads a weight before it lifts it.
A woodpile stacked square and proud has leaned overnight after a freeze-thaw. The exact geometry of the slump, the frost heaved under it, and the choice to restack for weather instead of for looks.
Wrong Side
The bottom of a cast iron pan keeps everything the top pretends to forget. A close look at the side that takes the heat.
Wrong Side
The back of an embroidery hoop keeps a record the front will never admit to. Knots, carried threads, one green wire strung across bare linen. A close look at where the work shows its labour.
Wrong Side
A fence repair holds from the side no one looks at. The knot goes behind the post, ugly and turning inward, doing the work out of sight.
Wrong Side
The glass had come loose, so I lifted the frame off the wall and turned it over. The back had more to say than the front.
Wrong Side
The back of a hand after garden work, and the record the palm refuses to keep.
Wrong Side
The part of the loaf that faced the pan — pale, flat, and holding the exact corners of the tin. The side that did the touching and shows it.
Wrong Side
A finished quilt tells the truth from behind: carried threads, a wandering seam, the map of how it was really made.
Wrong Side
The underside of a table nobody sanded, because nobody looks. Pencil marks, old glue, a name half-written in the dark.
Wrong Side
The neat face of a stacked row is for the yard. What holds it up is bark, offcuts, and one damp slab jammed against the siding.